I need to be rational, but in the darkness it’s easy to conclude that whatever spell I’ve surfaced from is supernatural. Out in the woods, with nothing but the steam of my own breath and the mournful plea of the loons off the lake, phantoms feel material.
This doesn’t scare me. I don’t fear the dark. I know the dark, and it knows me. Within it, I’m safe from the sun’s lovely illusions. I know what I’ve always known: that the monsters worth fearing are the ones that are dangerous enough to hide in daylight.
Premise: when Mars’ twin sister, Caroline, suddenly dies under horrifying circumstances, he suspects foul play. He suspects most of all that it has something to do with Aspen Summer Academy, the prestigious summer camp Caroline had been attending—the camp Mars had to leave behind after vicious bullying. No one believes Mars when he says so, but there’s something truly eerie about Aspen’s sun-drenched meadows and idyllic log cabins. What dark secrets lie behind the camp’s cheery exterior? What violence is being hidden and excused under the banner of tradition? And… what’s that buzzing sound?
Rainbow rep: a genderfluid protagonist; binary gender roles and expectations played for horror (note: in the book, it’s stated that Mars is fine with any pronouns and shifts between them all the time. For the purposes of this post, I’m following the marketing copy and using he/him)
Content considerations: supernatural body horror; violence and injuries described in gnarly detail; systemic misogyny; toxic masculinity; bullying; implied/off-page sexual violence against side characters
Summer camps seem like a perfect horror setting. To me, personally—a kid prone to homesickness, frequently bullied, and decidedly bad at sports—staying in the middle of the countryside with a bunch of strange children doing outdoor activities for eight weeks already sounds like a nightmare scenario long before Jason Voorhees walks out of the lake with a big knife.Continue reading