This post contains major spoilers for the end of Gideon the Ninth and the whole of Harrow the Ninth, and minor spoilers for The Dawnhounds.
If I had a ten-cent coin for every New Zealand sci-fi/fantasy novel that killed off its sapphic main character only to bring her back to life through cool worldbuilding and thematically resonant means… well, I’d only have twenty cents, but it’s neat that it’s happened more than once.
We all know the trope—the cliché even—of the tragic queer character. “Bury Your Gays” is part of most people’s fandom lingo even if they’re not familiar with its broader media history. Whether due to censorship regulations, underlying homophobia on the writers’ part, or otherwise well-meaning creatives stumbling into familiar patterns, there’s a long, established literary history of killin’ off the non-heterosexuals. This makes every story that doesn’t do this refreshing, of course. But on a deeper level, it also makes room for stories that engage with this trope through genre fiction: drawing the reader’s eye to the familiar pattern playing out, and then ultimately rejecting it for maximum thematic satisfaction.Continue reading