Mockingjay Part 2 succeeded as an adaptation in that its ending scene was just as silly as it was in the book. It would have been fantastically poignant and sweet to end on “You love me, real or not real?” “Real” and fade out with hopeful ambiguity that maybe, even after all they’ve been through, our two young heroes are going to be okay, but instead it was deemed more appropriate to have a flash-forward to them picnicking in an idyllic field with their 2.5 children. Which is a strangely pervasive trend and one that, while kind of cute, is outweighed in most cases by the problems with it.
The other obvious big example of this is the Harry Potter epilogue, in which the characters we’ve grown to know and love return as adults to load their beautiful children onto the Hogwarts Express. A lot of people have a lot of problems with this ending, and I can see why, the largest two being that in the scene’s cyclical nature—complete with half the kids seemingly named after past characters—it creates a sense of repetition and almost stagnation. What are Our Brave Wizarding Heroes doing in the future? Oh, they’re dropping their kids off to go to Hogwarts, just like their parents did, and just like their parents did before. What are they doing career-wise? Are dark wizards still on the loose? Have muggle relations improved? How are they coping psychologically with the events they’ve lived through? A lot of the interesting business regarding the state of the world and its inhabitants after the story’s end is effectively shuffled to the side in favour of demonstrating everyone’s family trees. Continue reading