A while ago, when I dug deep into the appeal of a certain fictional outlaw and a certain fictional assassin, I made a passing mention to the potential of reading Arthur as on the asexual spectrum. While this is a thought that’s been bouncing around my head like an old Windows screensaver for a long time, and something I’ve thrown around with friends and loved ones a bit, it’s not something I’ve ever put down in longform. And yet, I thought, what is a personal blog for if not the occasional slightly eccentric, semi-academic deep-dive character study that may be of interest to yourself and maybe three other people?
In this post we’ll look at a few things: the straightforward bits, like analysing interactions from the text itself (it is a game mechanic that this man does not bone), broader story beats (for example, the narrative’s deliberate emphasis on non-traditional relationships and found family, a very ace-resonant business), as well as some other paratextual framing stuff such as what reading him as ace adds to some of the narrative’s themes, and the all important qualifier of resonance that I discussed in this post: I’m ace and I vibe with him. Let’s dive in!
Metatextual evidence:Cowboys are not for the heterosexuals Continue reading