Queer stories that fill you with a warm and fuzzy feeling are important—the blissful normalcy of slice-of-life romance with the promise of a happy ending is rewarding and uplifting, and sends a message of hope to the real world while providing a cute escape into the fictional. It says that queer love is perfectly capable of being sweet and life-affirming enough to be the subject of a romantic dramedy, a genre that’s been pretty exclusively heteronormative for all of print and Hollywood history. Sometimes you want to sink into the comfort zone of sugarcoated romance tropes, and it’s important to have a version of this that everyone of all identities can see themselves in.
Sometimes, though, you also want to see queer identities saving the world, fighting aliens, and kicking ass and taking name in genre fiction. Why should superhero adventures, sci-fi cityscapes, and zombie survival action-comedies be solely the realm of cis, straight people? Well, these three comics are here to help fill that void.
As with the cute romance recommendations, consider this not a review post but simply some suggestions of works I’ve found and found enjoyable. Happy Pride Month, everybody! Continue reading
I think we can all agree that the Tragic Sad Dead Gays genre isn’t welcome these days (not to say that it was ever totally welcome, but given the progress of time and sensibilities, this sentiment has become much more mainstream). Instead, a whole bunch of creators are embracing the idea that LGBTQ+ folks are just as capable of being protagonists in stories with happy endings, and stories across an exciting range of genres. This week, we zoom in on the romantic dramedy—tales of love, growth, and shenanigans set in a world recognisable as ours. You’ll laugh, you’ll cry, it’ll change your life—or, maybe you’ll just enjoy some sweet queer content, able to relax with the knowledge that a respectful handling and happy ending is in sight.
As I’ve said before, I feel weird writing about stories that aren’t yet finished, and as all the webcomics below are ongoing, I can’t review them in good conscience because I haven’t seen the full story. Consider these not reviews, then, but recommendations of a few little gems I’ve found this year that I find particularly delightful so far, and that I invite you to jump into and come along for the ride as they progress. Continue reading
I don’t normally seek out erotic visual novels, but if I did, I doubt I’d leap to describe them as “delightful.” But Sugarscript’s Cute Demon Crashers proved the exception in both of these, by not only getting me to play a sexy dating sim but leaving me with a warm fuzzy feeling that (you’d think) would be uncharacteristic of the genre. If you look at the creators’ mission statement, though, you’ll realize that was the point:
In our team, we felt there was a need of consent and safe spaces in 18+ VNs for women, and NaNoRenO 2015 was the perfect excuse to make a game to fit those needs!
Consent and comfort is a massive, integral part of Cute Demon Crashers. College student Claire (who the player can rename) accidentally summons three incubi and one succubus who sense that she’s lonely, and over the course of the game she can bond with them and learn about them, and, if she wants to, pick one to have sex with that night. Whichever adorable sexy demon she picks, the ensuing sex scene is sweet, gentle, sometimes funny, and each demon is lovely in their own unique way. Because consent is an integral part of the development team’s mission, it’s an integral part of the gameplay: plenty of options pop up throughout the scene, with Claire’s lovers asking her if she wants to do this, or that, or stop. And indeed, a big stop button is available in the corner of the screen at all times. If you hit the button or want to back down, the demons never make Claire feel bad about it, and they do everything they can to make sure she’s physically and emotionally comfortable throughout the whole process.
There are no bad ends in this visual novel. It’s entirely about having a good time and exploring sexuality in a fun, safe, and comfortable way, with the magical love demon aspect managing to be adorable rather than skeevy like it could be. The whole game was a delightful and fun experience, which is why I’m super excited that Sugarscript has announced that they’re working on a “Side B” sequel/spinoff for the game.
Jump to Lady Geek Girl and Friends for the full post!
Until Dawn is one of the most aggressively straight pieces of media I’ve come across. All but two of its eight main characters are set up as romantic/sexual pairs, and defined as this in the quick flash of character introduction we get at the start of the game. It’s equally important for the player to know that Ashley is “academic” as it is to know that she has a crush on Chris, and given how wafty the characterisation in the game can be, their relationship status becomes one of the few concrete things we do know about them. The only two characters who aren’t either dating someone of the opposite gender or mutually crushing on someone of the opposite gender are Josh and Sam, and Josh spends half the game making lewd jokes like “I just want to push her down and make some snow angels you know?” about the girls.
Sam is a strange outlier in that her relationship identifier is “Hannah’s best friend” rather than “Emily’s boyfriend” or “Mike’s ex” or “has a crush on Ashley”. Josh is noted as Hannah and Beth’s older brother (for clarity, mostly, so in case you missed the brief mention of it in the prologue you know this important bit of information and the story will make sense), but this still leaves Sam as the only one defined by a platonic relationship. Which really, really sticks out like a sore and lonely thumb when everyone else is paired off for their respective storylines into romantic couples rife with sexual tension, some… more believable than others.
You spend enough time with Jess and Mike to see their chemistry, but Emily and Matt seem to just fight and belittle each other the entire time save for occasionally announcing that they really, really want to sleep together. Which is not what a healthy, normal, or well-written relationship looks like. Frankly, it feels forced, like the writers jammed them together into a couple because that’s just what teenagers do, right? Are horny for each other? Continue reading
If you’re involved in any writing course or writers’ group you’ll invariably find yourself faced with a seminar of some sort about The Publishing Industry. These are generally informative and terrifying, and detail all sorts of fun stuff like the importance of getting an agent, rejection letters, editors missing the point of the story and wanting to change weird shit, and how you must rewrite everything at least sixty times before it’s ready to hit an appraisal office’s desk let alone shelves. It can all be disheartening and scary and all that business can shrivel your creativity to a raisin-like state, so it was a breath of fresh and intriguing air to find a novel about The Publishing Industry in Scott Westerfeld’s Afterworlds. And one that got really gay, too! Bonus!
Lizzie Scofield survives a terrorist attack by pretending to be dead—and she pretends so well that she wills herself in the afterworld, the in-between grey-scale realm populated by ghosts and spirit guides. This act has planted her in a limbo state between alive and dead that makes her a spirit guide/grim reaper/psychopomp/Valkyrie herself, and she begins to learn how this all works from the sparkling and handsome Yamaraj… this is the plot of Darcy Patel’s debut novel. By luck that even she can’t quite believe, Darcy’s passion project (created for something that is never named NaNoWriMo but definitely is) is accepted by a New York publisher and bought for a huge sum of money, propelling the eighteen-year-old into the world of Professional Writers. Continue reading
Fangirl was/is a very important book to me. It did so many things that I rarely saw and it did them relatively well—a character deeply ensconced in fandom, who writes fanfiction on an industrial scale and deeply loves it, and isn’t presented at all as a parody or something awkward to kind of laugh at; a look at the way fandoms can shape and help people and the incredible catharsis that can come from engaging with a creative work; a protagonist with anxiety disorder; a fictional mother that left rather than tragically dying as is the norm; the horrors of plagiarism as a legitimate antagonistic plot device; and, and this is one of the big ones honestly: a YA love interest I actively liked.
Guys, Fangirl was good. Cath was a great, relatable and three-dimensional protagonist and I came to really adore her and support her, and in the end her coming of age didn’t involve her leaving fandom and fanfic behind so much as branching out and embracing other kinds of creativity and friendship as well. And good lord, her relationship with her soft, sweet, good-hearted but ultimately flawed and human love interest Levi was a rare gem of teen romance that I really connected to and enjoyed.
Upon finishing this novel, filled with the popping candy joy of completing a good book, I realised something I hadn’t really thought to notice while reading it: gay people only exist in fanfiction. Continue reading
[Spoilers ahead for Sense8 and Dumbing of Age; contains discussion of transphobia and homophobia]
Just because a story’s world is prejudiced and awful, doesn’t mean the story itself is. In fact, in some cases the story bends the world to its will in order to protect the characters that said world is cruel to.
Sense8’s Nomi Marks, for instance, is a transwoman living in a very transphobic world—even at a Pride celebration, a group of women bully her by erasing her gender identity in a variety of rude and obnoxious ways, and she also has to contend with her overbearing, equally obnoxious mother, who insists on guilt-tripping her and calling her by her (male) birth name. These are things that happen to real people every day, and they’re awful—unfortunately, Nomi is also a protagonist in a sci-fi TV show, so it can only get worse.
And it does: Nomi ends up trapped in hospital awaiting an operation that will effectively lobotomise her, the papers signed by her mother, who insists “I love you, Michael, and this is for your own good” (even if Mrs Marks is kept in the dark about the lobotomy because, as it turns out, it’s secret government agency psychic stuff, the sentiment is still horrifying, and presented as so). The nurses won’t listen to her, she ends up handcuffed to the gurney, and everything is absolutely terrifying and awful, and Nomi sobs for someone to help her. It looks like a bleak fate lies ahead for the show’s sole trans character.
But then, someone does come to help Nomi. Continue reading