December 16, 2021 · 6:50 am
2021 was another categorically Really Weird Year, but gosh there were some good books! This is my personal list of favourites, ranging from chaotic coming-of-age comedies to mythical urban fantasies to mecha battles to portal fantasies to time-hopping romances and back again. Take a look and see what catches your eye—and as always, let me know what your favourite reads were! There are always, always more novels to add to the pile.
(A title like “Best Queer Books I Read in 2021” would be superfluous—basically, assume these have queer protagonists or at least main ensemble cast members. It is the sensible option at this point on this blog)
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Filed under Alex Reads
Tagged as book recs, Cemetery Boys, Gearbreakers, Hani and Ishu's Guide to Fake Dating, Lore, Not My Problem, One Last Stop, queer YA mini reviews, The Boy From the Mish, The Falling in Love Montage, The Locked Tomb, The Lost Coast, The Mirror Season, The Starless Sea, This Poison Heart, Wayward Children, YA, YA fiction
November 4, 2021 · 7:22 am
It makes sense that, when the times were desperate enough, when the people were frenzied enough, at a certain point we went past praying to deities and started to build them instead.
Premise: Godolia maintains its military might with the Windups: giant mechs piloted by cybernetically-enhanced soldiers, capable of wiping out entire towns should they not comply. But godlike robots are still made of nuts and bolts, and their greatest threat remains the rebel Gearbreakers who can climb inside and take them apart. Eris is a Gearbreaker, and thinks she’s met her mortal enemy when she comes face to face with Windup pilot Sona. But Sona is a war orphan like Eris, and has infiltrated the pilot program to try and dismantle Godolia from within.
Rainbow rep: a central f/f romance, queer side characters
Content considerations: non-detailed torture scenes; parental death; child soldiers; copious injuries described in fairly gnarly detail; the horrors of war in general
Gearbreakers kicks ass. That is really the only adequate way I can convey the impression that Zoe Hana Mikuta’s debut novel left on me. I’m talking gorgeous, evocative writing. I’m talking complex, vicious, and lovable protagonists. I’m talking metal-wrenching ass-kicking heart-stopping fight scenes. I’m talking girls falling in love. I’m talking giant robots. Giant robots. I was initially sceptical that mecha, as visual a genre as it is, would translate into prose, but not only did it translate, but the high-octane action was relatively easy to follow, and conveyed a fantastic sense of scale, terror, and unrestrained Cool Factor.
Gearbreakers kicks ass.
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