Hush little audience don’t you cry, you knew your favourite character was going to die…
Well, that’s an unnerving little lullaby isn’t it? The fact is, the author giveth and the author taketh away, and the characters and worlds creative professionals breathe life into are often at risk of having that life sucked right back out of it. Yes, friends and loved ones, I’m talking about character deaths again. An excessive amount, or a lack thereof, both of which seem to be trending across popular TV series at current, and both of which have some iffy implications.
Game of Thrones, for example, has by now a stellar reputation for sticking an axe into everyone you love, or, in less weepy terms, its writer assigning no contractual immortality to the ‘good guys’. One of the most popular anime series at the moment, Attack on Titan, runs a similar operation, as does the Fate franchise which has spent the better part of this year putting my heart through a pepper grinder. Supernatural is not much better. In the sphere of YA The Hunger Games and Harry Potter are well worthy of note, with fans everywhere lamenting the loss of their favourites in whatever context. Suzanne, George, J.K. and their kind have earned their place in the hearts of many as the harbingers of doom.
On the other end of the spectrum we have Steven Moffat, who, as much discussed in the wake of Doctor Who’s 50th anniversary special, has a general aversion to actually killing characters off. Which is fine, on one level, since not every series has to contain a warzone’s worth of death if it’s not actually set in a warzone. But what our champ the Moff does is fake out deaths; kill Rory and bring him back so many times it becomes a running joke, displace people in time so they pass away quietly off-screen, or just smack the literal giant reset button and make everything okay again. As a side note, there is an actual website where you can press a ‘make everything okay’ button, which is really cute, but as a writing technique it’s… rather dicey.
At one end of the tightrope, you have Game of Thrones watchers joking that they’re hesitant to get attached to new characters since they’ll probably just get killed off, at the other, all tension and sense of fear for the Doctor and his crew is pretty much evaporated due to their writers’ discomfort with the idea of killing anyone permanently. Neither of these is really a position your show wants to be in. Continue reading