There is a pervasive myth of The Creative Genius: the great writers, or artists, or musicians, or filmmakers must receive divine inspiration, or perhaps are simply born with a unique knack for Making Art that mere mortals are not. Creators are still asked things like “where do you get your ideas?” as if a muse descends from the heavens and bestows them to a select chosen few. The idea of creation as work is, while more widely understood in today’s capitalist hellscape, still something a lot of people are wrapping their heads around. And yet, creative work is exactly that: work. That creative lightning strike is still part of the process, but you need to put in certain efforts to bottle that lightning and actually make it into something viewable by others.
In my last blog post about Keep Your Hands Off Eizouken! I talked a lot about the sense of creative wonder, and I talked mostly about the characters Midori and Tsubame. This time, I want to talk about Kanamori Sayaka—the invaluable team member who actually wrangles that wonder and forces it to take shape, providing representation of an oft-understated aspect of the creative process: discipline. Continue reading
In a media climate with a lot of restrictive expectations for the behavior and beauty standards of young cisgender women, there’s always something gratifying and delightful about fiction that lets female characters be goofy, expressive, and a little bit weird.
Keep Your Hands Off Eizouken!, a series about three high school girls using a school club to start their own animation studio, inspires exactly this feeling (as well as a general, inescapable sense of creative joy). Through both the character design and characterization of its three protagonists, Eizouken challenges a lot of the tropes that often loom over portrayals of nerdy, passionate teenage girls… and, if we’re being honest, teenage girls in general.
Two Eizouken posts in a row? You betcha. Read this one in full at Anime Feminist!
Keep Your Hands off Eizouken! is an anime about making anime. The meta potential here is obviously off the charts, and people who know more about the industry than I do are having a whale of a time gushing about the stylistic inspirations, the obvious homages to famous works, and the general technical prowess of the show as it sets out to be a celebration of all things animated. But Eizouken can be enjoyed even if you’re not deep in the anime paint. While it’s clearly a love letter to the animation medium, above all else it’s just a love letter to the very concept of the passion project. It’s a love letter to creativity itself, to the magical act of collaboration and creation, to taking in inspiration from everything around you and transforming it, via the alchemy that is art, into something amazing. Continue reading