Humans have a deep-set desire to watch people fall in love but a pathological upchuck reaction to watching couples. Thus, fictional love stories must traverse the middle ground for want of avoiding projectile fan-splurk and negative energy that could unbalance the universe, and this is where we find the ship tease.
For the uninitiated, “ship” is (supposedly) short for “relationship” and has become a verb of its own. To ship a pair of characters is to want to see them get together (the nature of this is not crucial; whether they are settling down to adorable domesticity or engaging in casual angry copulation is up to the individual).
In almost every piece of fiction you will find some semblance of a love story. There are whole genres for romance of course, be they comic or tragic, but it seeps into every genre and medium. Basically, we’re in love with love. I’m sure there are countless psychological papers laying out reasons for this. Maybe we want to instil hope in the world and receive warm fuzzies. Maybe we want to imagine that one half of the couple is us. Maybe we just like excuses to gush at our TV screens/books as we cry into our cats about how truly alone we are. Continue reading