The opening moments of Laid-Back Camp show a soothing scene of a group of five girls gathered around a campfire, cycling through images of toasted marshmallows and little jokes, and ending with them all taking a group selfie. “Alright,” I thought to myself. “This is going to be one of those Cute Girls In a Special Interest Club series. Fun!” Once the episode proper begins, this introduction turns out to be (presumably) a flash-forward of sorts, as the audience is introduced to one member of the group and her established hobby of solo camping. Over the course of the premiere she meets one of the other group members (the selfie-taker herself) and they begin to form a sort of clumsy friendship. “I see,” I thought to myself. “So we’ve gone back in time, and this is the story of how the Special Interest Club is brought together. Inevitably, the solo camper is going to be dragged into the camping circle where she will, through many hijinks, come to understand The Power of Friendship and abandon her status as a recluse. Fun!!”
Though it has a waft of cliché about it, I would have been alright with this plotline—I’m watching Laid-Back Camp to relax, after all, so I didn’t go in with too many demands (the bar was set at the ankle-high “let the anime girls star in a sweet and fun story without the camera ogling them”, on which I’m happy to report Laid-Back Camp has delivered so far), and you know I’m a sucker for any kind of story about blossoming friendship. But I’m also happy to report that the show surprised me, by taking a perfectly justified but often unexplored—and thus unexpected—route in regards to its story of the solo hobbyist. Continue reading
Here’s a question for all you content creators out there: would you let yourself be turned into a cartoonish alien being and taken into space if it meant you were guaranteed endless praise and popularity for the things that you create?
At the heart of the pastel-toned magical girl adventure that is URAHARA is a story about the dilemma of creativity. Creators—be they writers, artists, chefs, designers, etc.—are an incredible breed because of their imaginative abilities, and their power to give the things in their imagination physical form for others to see. The great magical halo surrounding The Artist is their ability to do what they do purely for the love of it… but as I’m sure many of us know, The Love Of It can only get you so far. After all, what’s the point of creating if you receive no approval, praise, or recognition for your creation? Creating art for art’s sake often gives way to anxieties about creating the “right” kind of art, creating art that people will like, caught in an endless tug-of-war between trying to follow trends to get a foothold and trying to be “unique”. The very human need for validation, and the contradictory yet complementary need to be seen as different and individual, is a driving force in content creation, as it is the driving force behind the conflict in the middle arc of URAHARA. Continue reading
I’ll admit it, I started watching Princess Principal because it just looked fun. Young women kicking ass as spies in a steampunk fantasy version of turn-of-the-century London, set to a jazzy soundtrack and wrapped up in science-magic? Yes, please. I’ve been pleasantly surprised to discover that this show that I picked up solely for its geeky Cool Factor is… actually really damned good, delivering consistently sharp writing, interesting and layered characters, and some wonderfully efficient and intriguing magical worldbuilding that makes fantastic use of that old writing adage “show, don’t tell” that paints a vivid picture of its fantasy world from its very first scene.
Because it did such a good job laying the groundwork and piquing this viewer’s interest, let’s look just at the show’s first episode, and the small but important details the premiere gives us (and how) that let us build a picture of the world… without leaning too heavily on narration, pausing or cutting into the action to explain what’s going on, or having an audience point-of-view character that others teach things to.
Head to Lady Geek Girl and Friends for the full post!
Remember how I said I hadn’t read any novels since the start of the year? Yeah, poor Clancy of the Undertow has been sitting, patiently, on my desk since literally February. Which is a damned shame, I tell you—this was a wonderful little queer coming of age story set to a wonderfully rich (but not overdone) backdrop of small town Australia, paring back what could have been a story all about The Hardships of Being Gay in a Small Town to an intricate and fun character study of our titular leading lady, Clancy. Though it was recommended (and loaned, by a generous person who now finally has their book back after seven months) to me on the basis of it being Some Good, Good Gay YA, Clancy’s sexuality isn’t the focus of the book nor the focus of her character arc. It’s much more than that, and Clancy is built into a detailed, believable picture of a girl that became one of my favourite YA protagonists I’ve come across. Continue reading
Queer stories that fill you with a warm and fuzzy feeling are important—the blissful normalcy of slice-of-life romance with the promise of a happy ending is rewarding and uplifting, and sends a message of hope to the real world while providing a cute escape into the fictional. It says that queer love is perfectly capable of being sweet and life-affirming enough to be the subject of a romantic dramedy, a genre that’s been pretty exclusively heteronormative for all of print and Hollywood history. Sometimes you want to sink into the comfort zone of sugarcoated romance tropes, and it’s important to have a version of this that everyone of all identities can see themselves in.
Sometimes, though, you also want to see queer identities saving the world, fighting aliens, and kicking ass and taking name in genre fiction. Why should superhero adventures, sci-fi cityscapes, and zombie survival action-comedies be solely the realm of cis, straight people? Well, these three comics are here to help fill that void.
As with the cute romance recommendations, consider this not a review post but simply some suggestions of works I’ve found and found enjoyable. Happy Pride Month, everybody! Continue reading
“A bunch of friends who might not be film experts, but sure do have funny opinions, watch bad movies and rag on them” is a podcasting trope by now, if such a thing can exist. How do you wade through the sea of cinematic chit-chat to find one you know will be good? That’s not actually a question I can answer, since I was lucky enough to stumble into Trash & Treasures sideways, but I can help by assuring you that Trash & Treasures is one worth checking out.
Trash & Treasures is where self-described “three weirdos,” Vrai, Dorothy, and Chris, watch movies and sometimes TV series that have been lost down the back of the pop culture couch. Maybe they’re a product of Disney’s awkward and edgy dark era where the company was low on funds and fighting with Don Bluth, maybe they’re an obscure single-release piece of queer action cinema, maybe they’re… just plain bad. Each episode is devoted to a different piece of media, and the trio discuss the plot, context and history of how this movie came to be and how they came to find it, and which parts of it are terrible and which parts are actually, maybe, kind of good.
Read the full post on Lady Geek Girl and Friends!