Here’s a question for all you content creators out there: would you let yourself be turned into a cartoonish alien being and taken into space if it meant you were guaranteed endless praise and popularity for the things that you create?
At the heart of the pastel-toned magical girl adventure that is URAHARA is a story about the dilemma of creativity. Creators—be they writers, artists, chefs, designers, etc.—are an incredible breed because of their imaginative abilities, and their power to give the things in their imagination physical form for others to see. The great magical halo surrounding The Artist is their ability to do what they do purely for the love of it… but as I’m sure many of us know, The Love Of It can only get you so far. After all, what’s the point of creating if you receive no approval, praise, or recognition for your creation? Creating art for art’s sake often gives way to anxieties about creating the “right” kind of art, creating art that people will like, caught in an endless tug-of-war between trying to follow trends to get a foothold and trying to be “unique”. The very human need for validation, and the contradictory yet complementary need to be seen as different and individual, is a driving force in content creation, as it is the driving force behind the conflict in the middle arc of URAHARA. Continue reading
I’ll admit it, I started watching Princess Principal because it just looked fun. Young women kicking ass as spies in a steampunk fantasy version of turn-of-the-century London, set to a jazzy soundtrack and wrapped up in science-magic? Yes, please. I’ve been pleasantly surprised to discover that this show that I picked up solely for its geeky Cool Factor is… actually really damned good, delivering consistently sharp writing, interesting and layered characters, and some wonderfully efficient and intriguing magical worldbuilding that makes fantastic use of that old writing adage “show, don’t tell” that paints a vivid picture of its fantasy world from its very first scene.
Because it did such a good job laying the groundwork and piquing this viewer’s interest, let’s look just at the show’s first episode, and the small but important details the premiere gives us (and how) that let us build a picture of the world… without leaning too heavily on narration, pausing or cutting into the action to explain what’s going on, or having an audience point-of-view character that others teach things to.
Head to Lady Geek Girl and Friends for the full post!
Remember how I said I hadn’t read any novels since the start of the year? Yeah, poor Clancy of the Undertow has been sitting, patiently, on my desk since literally February. Which is a damned shame, I tell you—this was a wonderful little queer coming of age story set to a wonderfully rich (but not overdone) backdrop of small town Australia, paring back what could have been a story all about The Hardships of Being Gay in a Small Town to an intricate and fun character study of our titular leading lady, Clancy. Though it was recommended (and loaned, by a generous person who now finally has their book back after seven months) to me on the basis of it being Some Good, Good Gay YA, Clancy’s sexuality isn’t the focus of the book nor the focus of her character arc. It’s much more than that, and Clancy is built into a detailed, believable picture of a girl that became one of my favourite YA protagonists I’ve come across. Continue reading
Queer stories that fill you with a warm and fuzzy feeling are important—the blissful normalcy of slice-of-life romance with the promise of a happy ending is rewarding and uplifting, and sends a message of hope to the real world while providing a cute escape into the fictional. It says that queer love is perfectly capable of being sweet and life-affirming enough to be the subject of a romantic dramedy, a genre that’s been pretty exclusively heteronormative for all of print and Hollywood history. Sometimes you want to sink into the comfort zone of sugarcoated romance tropes, and it’s important to have a version of this that everyone of all identities can see themselves in.
Sometimes, though, you also want to see queer identities saving the world, fighting aliens, and kicking ass and taking name in genre fiction. Why should superhero adventures, sci-fi cityscapes, and zombie survival action-comedies be solely the realm of cis, straight people? Well, these three comics are here to help fill that void.
As with the cute romance recommendations, consider this not a review post but simply some suggestions of works I’ve found and found enjoyable. Happy Pride Month, everybody! Continue reading
“A bunch of friends who might not be film experts, but sure do have funny opinions, watch bad movies and rag on them” is a podcasting trope by now, if such a thing can exist. How do you wade through the sea of cinematic chit-chat to find one you know will be good? That’s not actually a question I can answer, since I was lucky enough to stumble into Trash & Treasures sideways, but I can help by assuring you that Trash & Treasures is one worth checking out.
Trash & Treasures is where self-described “three weirdos,” Vrai, Dorothy, and Chris, watch movies and sometimes TV series that have been lost down the back of the pop culture couch. Maybe they’re a product of Disney’s awkward and edgy dark era where the company was low on funds and fighting with Don Bluth, maybe they’re an obscure single-release piece of queer action cinema, maybe they’re… just plain bad. Each episode is devoted to a different piece of media, and the trio discuss the plot, context and history of how this movie came to be and how they came to find it, and which parts of it are terrible and which parts are actually, maybe, kind of good.
Read the full post on Lady Geek Girl and Friends!
I think we can all agree that the Tragic Sad Dead Gays genre isn’t welcome these days (not to say that it was ever totally welcome, but given the progress of time and sensibilities, this sentiment has become much more mainstream). Instead, a whole bunch of creators are embracing the idea that LGBTQ+ folks are just as capable of being protagonists in stories with happy endings, and stories across an exciting range of genres. This week, we zoom in on the romantic dramedy—tales of love, growth, and shenanigans set in a world recognisable as ours. You’ll laugh, you’ll cry, it’ll change your life—or, maybe you’ll just enjoy some sweet queer content, able to relax with the knowledge that a respectful handling and happy ending is in sight.
As I’ve said before, I feel weird writing about stories that aren’t yet finished, and as all the webcomics below are ongoing, I can’t review them in good conscience because I haven’t seen the full story. Consider these not reviews, then, but recommendations of a few little gems I’ve found this year that I find particularly delightful so far, and that I invite you to jump into and come along for the ride as they progress. Continue reading
Harry Potter is a pillar of civilization by this point. What began as a series of children’s/young adult novels is now a virtual empire, with eight movies, several spinoff books, movies of the spinoff books, theme parks, and the website Pottermore to ensure that the franchise is constantly alive and being added to. Given the impact this series has had since its release in the ‘90s, you’d be hard pressed to find someone in the Western world who hasn’t been influenced by it—and it would be nigh-impossible to find someone who hasn’t read the books that have shaped a generation.
You’d think that, but you would be wrong—Mike Schubert, a twenty-four-year-old American man, has never read the Harry Potter novels that so defined the childhood of his peers. And so, in a grand experiment, he’s sitting down to read them all one after the other, and discuss them with his Potterhead friends in this week’s web crush: the Potterless podcast.
Jump to Lady Geek Girl and Friends for the full post!