We’ve reached the final book recommendation post for Pride Month 2021. This time, I’m dipping into another medium I read a lot of, and which is yielding an increasingly varied and exciting platter of LGBTQIA+ storytelling: manga.
The distinction between “queer manga” and manga that falls into romance genres like yuri (which might feature close relationships between women, but don’t always touch on subjects like queer identity—and may even still be floating in the “close, pure, romantic friendship” tropes of the olden days) is somewhat blurry, but for the purposes of this post I’m combining them all under one umbrella. Some of these are more of the fluffy romance variety that brushes over what we might consider queer themes like coming out, and some of them deal with that more directly and poignantly. Some of them are fluffy romances that also talk about the realities of being queer in modern day Japan!
I’ve tried to gather a variety, though remember that this list is merely some of my personal favourites from my personal reading habits: there is plenty more manga with LGBTQIA+ content out there that I have yet to get to! So, as always, please do leave your own recommendations in the comments.
Earlier this month, I listed some of my favourite works of YA sci-fi and fantasy featuring queer protagonists. Now, we return to the real world for yet more! These are all set in a realistic, modern day and focus on the emotional ins and outs of growing up: first loves, figuring out your identity, navigating the many weird liminal spaces you might find yourself in as you teeter between what we call childhood and what we call adulthood.
As always, please leave your own recs in the comments below—I’m always looking for more!
Queer stuff can sometimes be hard to get your head around—take it from me, a person who has been on a deeply befuddling identity journey and been swimming in the deep pool that is queer theory for nearly four years. Academia on queer and gender issues is notoriously difficult for the everyperson to get into, often associated with stuffy and complex language and galaxy-brain concepts that may or may not resonate with one’s own day-to-day experience.
This is not universally true, and I promise not all academics are trying actively to make their work inaccessible as some sort of wicked ploy. Still, trying to Do Your Research and hitting a mental roadblock can be alienating and demoralising. Not everyone can pick up Judith Butler and immediately absorb that stuff into their brain (seriously, don’t feel bad—I have senior supervisors who admit to needing to read her work a couple times to “get it”!).
The good news is, you don’t have to! There are more accessible, beginner-friendly resource books on queer identity than ever before, and I’ve compiled a little list of some of the texts I’ve found most helpful, both for research and for fun.
I read a lot of YA novels here on this blog. Certainly not as many as some other folks, but enough that I have a few excellent books up my sleeve if you ever ask me for recommendations. So this month, in honour of the celebrations of LGBTQIA+ activism and liberation that take place in June, I’m compiling some lists of favourites from the field of YA with queer protagonists.
Today, we look at sci-fi and fantasy: in the stories below we have swashbuckling pirates, ghost boyfriends, magic-thieves, teen witches, space wizards, and more! Queer readers are getting to see themselves in an immensely exciting variety of magical adventures, and this is merely a handful of my personal faves. Read on to see if any pique your interest, and leave any recommendations of your own in the comments!
Premise: Saorise (and that’s “Seer-sha”, and she will fight you on this) has enough heartache to last her a lifetime. She doesn’t know how long her own lifetime will be, reeling from the knowledge that early onset dementia runs in her family, and she could end up forgetting who she is by age fifty. Her childhood best friend turned girlfriend broke up with her, fracturing their friend group and leaving Saorise angry and adrift. The path seems simple: no relationships, no close human connections, and no one gets hurt.
But then along comes Ruby. She suggests a relationship with a pre-arranged expiration date, and one that only involves all the fun parts: the cheesy falling in love montage from the middle of the movie, as it were. It’s no-strings-attached, Ruby’s cute, and as long as Saorise doesn’t open her heart and bear her feelings about anything serious it will all go off without a hitch. Right?
Rainbow rep: an f/f romance between two lesbian characters, queer background cast (mostly in the form of the ex-girlfriend)
Content considerations: depictions of parents in hospital, parents with deteriorating mental health, general existential dread
I will be 101% honest: I came for the self-aware, sapphic take on the classic clichés of romantic comedies. I came for the “oho, you say you’re not going to fall in love, but you totally are” romantic tension. And I did get both of those. But I also got hit upside the head with a narrative about how life’s impermanence is what makes it meaningful, and that we should always let ourselves live and be loved no matter the risks.
Premise: The Grays are a tight-knit coven of teen witches, until their most charismatic and talented member, Imogen, walks into the woods one night and comes back a shell of her former self. The Grays cast a spell to summon someone, anyone, who might be able to help, and into town wanders Danny, a girl with a strong sense of yearning but little sense of where it’s always been trying to take her. Danny is ecstatic to find the witches and win their approval, but as the mist thickens and the ancient redwood forest fills with dead boys and disappeared girls, time is running out to discover her inner magic and find what’s left of Imogen.
Rainbow rep: a queer ensemble cast, including a self-described queer lead, a bisexual witch, a non-binary ace witch, and multiple f/f romances; many explorations of queer themes like found family and the search for a place to belong.
Content considerations: discussions of homophobia, including a character being kicked out by her parents; brief discussions of terminal illness and parental death; brief (but often poetic rather than graphic) descriptions of dead bodies.
There is magic running through the heart of The Lost Coast. Every sentence feels like it was carefully crafted to create a certain atmosphere, sometimes warm and welcoming and sometimes otherworldly and haunting. Sometimes both. The words are woven like, well, a spell: light acts like liquid, silence falls like snow, and the settings—from scrappy rental cabins to the ancient looming haven of The Lost Coast’s redwood forests—come to life with such vibrancy you feel like you’re there.
I’m a true Millennial Content Creator now—I’ve co-hosted a podcast! Listen in to my debut on Chatty AF, the Anime Feminist podcast, where I chat about manga where ladies fall in love with each other. We go through some recent series and recommend our favourite titles from the ever-growing catalogue of English licenses.
Listen to the full episode here!
Premise: in an alternate 1996 where magic and monsters are a fact of everyday life, fourteen-year-old Z has died in a car crash and awoken as a zombie. Orphaned and ostracised, Z searches for a cure to their state of decay, and along the way befriends Aysel, a fellow misfit who is keeping her lycanthropy under wraps. Secrecy becomes ever more important for these monster-kids as anti-werewolf sentiment builds in their town, following the mysterious murder of a doctor who was performing electroshock “therapy” to try and disconnect fey and monsters from their magic.
Rainbow rep: a non-binary protagonist, a lesbian werewolf (a girl werewolf! That on its own is exciting!), and a queer supporting cast including lesbian selkies, trans werewolves, and sort of gender-ambiguous shapeshifters.
Content considerations: depictions of police brutality, depictions of homophobic bullying, magical plot elements that are clear stand-ins for conversion therapy, intersections of fantasy bigotry and real-world bigotry.
Queerness and “monstrosity” have intertwined plenty over the years, both for good and ill. Monsters, after all, so often represent some sort of social Other, some sort of values or behaviours or appearances that does not suit the dominant norm and is thus frightening to people who do fit into that norm. Vampires, werewolves, shapeshifters, witches, the undead, are all liminal and transitory and odd in some way or another, so historically they have often been queer-coded as a shortcut to showing their villainy. However, many LGBTQIA+ folks have taken these queer monsters as their own, and felt a strange affinity for folklore, creature features, and the general landscape of the Gothic and the frightening. Out of Salem understands this connection with its whole heart, and it makes for a story that’s both harrowing and heartwarming.
2020 was certainly a year of ups and downs, as just about every annual retrospective post will tell you… but today we’re going to focus on the “ups”, particularly as they pertain to books! Because goodness, there was some goodness out there in the booky world: some that uplifted me, some that sent me on harrowing and fascinating journeys, and some that knocked me clean over (see above).
Read on for my favourites that I read this year—novels, graphic novels, and even a smattering of non-fiction. I hope that you find something that sounds fun, because these works certainly brought me joy this year!
Premise: Freddy is dating the charismatic, enigmatic Laura Dean, and she couldn’t be happier… except that she could be much happier, because Laura Dean keeps finding ways to make her miserable. Yet, like magnets, Freddy and Laura keep getting back together. As Freddy becomes increasingly alienated from her friends, and not even seeking advice from columnists or back-room psychics seems to help, she’s going to have to find the power within herself to reassess her priorities and find her true happiness.
Rainbow rep: a lesbian protagonist, an almost entirely queer ensemble cast, focus on queer relationships.
Content considerations: centres on a crappy, bordering-on-emotionally-abusive relationship; age gap relationships, discussions of teenaged pregnancy.