Content warnings: threats of sexual violence/sex trafficking
What’s it about? During a blazing high seas battle, a young girl named Fena is pushed out to sea in a rowboat, instructed to stay alive until her protectors can find her again. Ten years later, Fena is living in a brothel in the rough and rowdy port town where she drifted ashore, with her “prima nocta” being auctioned off now that she’s come of age. Fena isn’t having this, and concocts a plan to rob her buyer and escape. Just when it seems her scheme has fallen through, some figures from her past reappear, and Fena finds herself swept up in a whole new daring adventure.
Pirates! There is an unmistakable glamor to them (or, at least, the version of them that has filtered down to us through Hollywood and adventure stories). I certainly have a soft spot in my heart for tales of swashbuckling, treasure-hunting, and handsome rogues in big billowy shirts (and that’s handsome rogues of any gender—Cutthroat Island may be credited with tanking the pirate movie genre, but its powerful Looks from Geena Davis had a profound impact on my sense of aesthetic attraction).
Needless to say, the title Fena: Pirate Princess grabbed my attention even before the show’s slick trailer did. I found myself entranced by the idea of a seafaring heroine and the intriguing mix of aesthetics and fantastical elements. The question is, how does the first episode hold up? Can this show sustain itself on my starry-eyed adoration of sword-fighting women alone?