I remember the fateful day when the final chapter of Life is Strange—appropriately titled “Polarized”—came out and the internet as I knew it, even parts I hadn’t known were invested in the game, collectively exploded. The starkness of the final choice, now dubbed “save the bae vs save the bay” because you have to laugh otherwise you cry, was the main topic of discussion and/or ranting, for good reason. I’m not saying it’s a bad dichotomy to present the player with (and as I wrote about in my last post, can be interpreted to represent Max’s character development and contribute to the story nicely), it just could have been done so much better. One aspect of this, which bugs me personally the most, is the fact that the entire scenario is kind of… nonsense. Which, like last time, I’m going to try to break through using WB’s “everything that makes no sense is a metaphor” theory. Let’s take a bite out of it. Continue reading
If you could write a letter to your younger self, what would you say? “It will get better”? “Don’t stress too much about fitting in”? “Yes, what you’re feeling is love, and that’s okay”? “The future is awful and sad and I want you to work tirelessly to make sure you don’t end up a regret-stricken wreck like me”? Orange takes this last approach, and the result is a series that I have a barrel full of mixed feelings about.
Spoilers and content warning for suicide ahead.
On the first day of the new school year, protagonist Naho finds a strange letter addressed to her, which was apparently sent from herself, ten years in the future. Naho is confused and dubious that such a thing can be real, but then the events the letter describes start coming true: the letter tells her that a new student, a boy named Kakeru, will be joining their class that day, and he’ll sit next to Naho. Naho’s friends will attempt to be welcoming and invite the new kid to hang out once school is over, but, the letter warns, they should absolutely not do that. Not that day, at least.
Naho soon realizes that the letters are full of specific advice from her future self, chiefly about things that Future Naho regrets and wants to change. These mostly concern Kakeru, since, as Naho is shocked to find out, ten years in the future Kakeru is no longer alive. In Future Naho’s world, Kakeru died—in an accident later discovered to be suicide—when he was seventeen, and she’s sending these letters back in time to try and stop that from happening.
Head to Lady Geek Girl and Friends for the full review!
It occurred to me while outlining my article about the dark and gritty reboot of the magical girl genre that I’ve spent more time reading meta, analysis, and personal pieces about the iconic power of Sailor Moon than actually watching the show itself. While I know a lot about it, I’ve never seen all of it first hand—at least, not in order, and certainly not in its original undubbed and uncut form.
I caught the occasional episode on TV when I was a kid and was kind of intrigued but never entirely won over (thanks to that whole “it’s obviously for girls And That’s Bad” mentality), and years later, borrowed and rewatched to near memorising the DVDs from CP… the only trouble there being that CP only owned volume 1, 2, and 8. Anime DVDs seem expensive to me now, but they were practically diamonds to our fourteen-year-old selves, and a pain to hunt down as well. Skipping straight to volume 8 dumped me in season two with no context, but we all just sort of rolled with it at the time. It was fun, that was the most important thing.
A few months ago, in the midst of editing and completing said dark magical girl article, my right arm flared up with what was probably RSI. Given time off work (hooray!) but effectively forbidden to type (the horror!), I sat down and dived into Sailor Moon season one. Animelab, as a tie-in with the remastered re-release, was hosting 89 of the episodes for gloriously free, legal streaming. I, of course, wiped my brow and said “Wow, 89 is a lot! But I can commit!” before being told that 89 is only the first two seasons. I have a lot to learn, as you can see. Continue reading
“A bunch of friends who might not be film experts, but sure do have funny opinions, watch bad movies and rag on them” is a podcasting trope by now, if such a thing can exist. How do you wade through the sea of cinematic chit-chat to find one you know will be good? That’s not actually a question I can answer, since I was lucky enough to stumble into Trash & Treasures sideways, but I can help by assuring you that Trash & Treasures is one worth checking out.
Trash & Treasures is where self-described “three weirdos,” Vrai, Dorothy, and Chris, watch movies and sometimes TV series that have been lost down the back of the pop culture couch. Maybe they’re a product of Disney’s awkward and edgy dark era where the company was low on funds and fighting with Don Bluth, maybe they’re an obscure single-release piece of queer action cinema, maybe they’re… just plain bad. Each episode is devoted to a different piece of media, and the trio discuss the plot, context and history of how this movie came to be and how they came to find it, and which parts of it are terrible and which parts are actually, maybe, kind of good.
Read the full post on Lady Geek Girl and Friends!
[This review was originally posted on Popgates. It is being re-posted here on a reader’s request, since Popgates has discontinued its pop culture column and thus deleted the original post.
And hey, just in time for season two…]
A troubled Icelandic DJ trying to get by in London
A San Francisco hacktivist celebrating Pride with her girlfriend
An action-movie-loving bus driver from Nairobi
A German safecracker trying to get out of his mobster family’s shadow
A closeted melodrama actor living in Mexico City
A Korean businesswoman/part-time martial artist trying to keep her family company afloat
An Indian scientist preparing to marry a man she’s not in love with
And a Chicago cop with a heart of gold and parental issues
…have in common?
Well, nothing much at all, until they all witness the suicide of a mysterious, almost angelic woman in white. From that moment on, they start noticing strange things: they can taste what someone else is eating on the other side of the world, hear the thoughts and emotions of people they’ve never met, and master skills they’ve never even tried to learn. They’re a cluster of Sensates, spread across the globe but linked by a psychic connection. Continue reading
So, ToraDora! A show about coming of age, love, heartbreak, and a bird that swears.
Overall, I enjoyed rewatching this beautiful beastie a lot—it struck the right balance between being nostalgic and impressing me afresh, and it was nice to know that for the most part it’s still as fun and engaging as it was when I first watched it in early high school and it lodged itself in my brain. I’d like to thank everyone who read along each week, and leave you with a few final assorted thoughts and retrospectives… Continue reading